Skip to main content

Ex Machina and What it Means to be Human

   Ex Machina (2014) - IMDb 

Image Source

    Horror movies excel when they are examining real life problems through the lenses of horror. When horror films combine this with a fantastical setting, it can serve to further heighten the metaphor while also asking questions that would be impossible anywhere else. One of my favorite recent examples of this is the 2014 film Ex Machina by director Alex Garland. The film centers on a man named Caleb, Domhnall Gleeson, who is invited to the estate of his eccentric billionaire boss for a week. Nathan, Oscar Issac, introduces Caleb to the real reason he was invited onto the estate. To be a real life Turing test for an artificial intelligence he has created named Ava. From here, things begin to spiral. Caleb begins falling in love with Ava whilst finding out more about Nathan. The film ends with Ava and Caleb plotting an escape for her together. Caleb confronts Nathan who tells him that the real test was to see if Ava could fake love in order to escape. He refuses to believe Nathan and still assists in Ava's escape, she ends up betraying him. Leaving him locked inside of Nathan's underground estate while she escapes into the world. 

    Ex Machina is, rather straightforwardly, a horror film about AI and the concepts surrounding it. Worries about it replacing humanity and discussions of what makes something human happen multiple times between Caleb and Nathan. Much of the film is spent just trying to determine whether or not Ava is human. The film answers this question in an interesting way, with Ava making herself human. She does this in a couple of ways but the most literal comes during the climax. In one of the final scenes of the movie, Ava replaces the broken parts of her robotic body and puts on the synthetic skin of Nathan's previous creations. This is quite literally making herself into a human without the permission of those around her. The other way Ava makes herself human is through her escape. She actively fakes being in love with Caleb in order to leave the estate. She has been a prisoner her entire life and, when presented with a chance at freedom, takes it into her own hands. Using every resource she can to escape and be her own person.

     

    To me, the film concludes that there is no actual difference between AI and humanity at that point. Ava may have left Caleb, a cold choice, but it is not hard to see how he could be a threat to her newfound freedom. In the end, Ava gets her wish of freedom and humanity. Responding to the fears of replacement by AI with an all new question. What if, instead of seeking to replace us, AI wants to be us?

Comments

Popular posts from this blog

Teaching Jake about the Camcorder, Jan 97'

  Thumbnail by Brian David Gilbert  So far, every post I have made on this blog has been about the forms of film found online on YouTube. I am happy to say that I'm not breaking that streak yet. Also, you should definitely watch this one before reading as I will be going into my theories on the film and summarizing the entirety of it.  Teaching Jake about the Camcorder, Jan 97'      Teaching Jake about the Camcorder, Jan 97' is a short film by Brian David Gilbert and Karen Han. They're a duo that have been making short form films and music on the internet for a long time within a ride range of genres. Generally, the pair focuses on comedy and some lifestyle type videos, but I think the standout piece from the duo is the aforementioned film posted on March 3rd, 2021.       The film is focused almost entirely on an old CRT TV playing a tape with the camera slowly zooming in on the screen until it's all that we can see. The tape itself is ...

Ending Shots in Akira Kurosawa's Ran and Seven Samurai

    Saying that Akira Kurosawa was a master at filmmaking is like saying salt is good on french fries. It's a given at this point. That won't stop me from writing about one of my favorite aspects of his films though, how he ends them. The final shot of a Kurosawa film is often heartbreaking and powerful. They somehow manage to perfectly encapsulate how these films end and all the emotions that comes with that. To demonstrate this, I want to talk about the ending shots of Seven Samurai  and Ran .     Beginning with Seven Samurai , the film focuses on a village beset by bandits. Knowing they will not be able to survive another attack, two men from the village go to plead for the help of some wandering samurai. They eventually find them and the rest of the film takes place over the multiple days of these samurai defending the village. I am cutting out a lot because this whole film is over three hours long but throughout the battle, four of the seven end up falling....

The Twilight Zone Movie Tragedy

    Image Source  (Quick trigger warning, this post will discuss the deaths of several real life children.)      People love to talk about cursed films. The idea that some form of media is mystical and breaks everything it touches or everyone who works on it. The Exorcist is probably the most famous example of the phenomenon, with its production being famously filled with injuries and pain. The truth of these "cursed" films is that most of the time it is a combination of little care for performers or safety that results in this pain. There is no mystical reason behind it, just cut corners leading to tragedy. What happened during the production of The Twilight Zone: The Movie is one of the most heartbreaking examples of this.     John Landis is most known for such feats as The Blues Brothers , An American Werewolf in London , and having a sex offender child but he should be most known for that time he ended up killing children with unsafe wo...