Skip to main content

Swiss Army Man and Loving a Corpse

   

 

Swiss Army Man - Rotten Tomatoes

Image Source 

    Over the Halloween season I treated myself to a little film called Frankenhooker (1990). I'm a sucker for the horror-comedy genre and it had been on my too-watch list for far too long. The plot of the film is relatively simple, an amateur scientist accidentally kills his wife via remote control lawnmower and rebuilds her piece by piece using the body parts of New York prostitutes that explode from smoking his "super crack". Simple. As odd as the film is, I think there's a really interesting literary motif in there of the beloved corpse. 

    This idea goes back far. You can find tales of people trying to resurrect dead loved ones all over mythology and the idea that Frankenstein created his monster out of a level of homoerotic desire is also long standing. I think the film Swiss Army Man (2016) really plays with this motif too. Throughout the film our two leads, Hank played by Paul Dano and Manny a corpse played by Daniel Radcliffe, form a bond. Whether or not that bond is romantic can be up to interpretation but there is certainly a love shared between the two. That love brings Manny back from just a corpse but it also brings Hank back to life in a way as well. Not just bringing him back into society, but also making himself a more complete person. The film does literally begin with Hank hanging from a rope after all, and ends with Hank fighting for his life against a bear.

    There is an affirmation of life found in loving the dead. An almost paradoxical symbiosis between the monster and creator. In an odd way, both Swiss Army Man and Frankenhooker invert the narrative of Mary Shelley's classic. The creators in these stories care for their monsters, and something better can come in the future because of it.

Comments

  1. "There is an affirmation of life found in loving the dead." Great insight and I see a connection to SAM!

    ReplyDelete

Post a Comment

Popular posts from this blog

Teaching Jake about the Camcorder, Jan 97'

  Thumbnail by Brian David Gilbert  So far, every post I have made on this blog has been about the forms of film found online on YouTube. I am happy to say that I'm not breaking that streak yet. Also, you should definitely watch this one before reading as I will be going into my theories on the film and summarizing the entirety of it.  Teaching Jake about the Camcorder, Jan 97'      Teaching Jake about the Camcorder, Jan 97' is a short film by Brian David Gilbert and Karen Han. They're a duo that have been making short form films and music on the internet for a long time within a ride range of genres. Generally, the pair focuses on comedy and some lifestyle type videos, but I think the standout piece from the duo is the aforementioned film posted on March 3rd, 2021.       The film is focused almost entirely on an old CRT TV playing a tape with the camera slowly zooming in on the screen until it's all that we can see. The tape itself is ...

So Bad It's Good Movies are Amazing

Poster from IMDB      Hey y'all, Bug here. Today I'm going to talk about my actual absolute favorite type of film. Known by many names, the B movie or a cult classic, the so-bad-it's-good film is a staple of the medium of film. Movies that are near impossible to make on purpose. These films take advantage of the shared viewing experience in ways that other types of film kind of cannot. That's what I want to talk about today, along with some recommendations.     All of my favorite movie watching experiences come from watching bad movies with people I care about. There is almost something cathartic to all watching something just fall apart in front of your eyes and falling apart a little with it. It's hard to feel awkward or scared in even an unfamiliar group when everyone is watching something truly horrible. Bad movies act as a kind of social lubricant that, to me, provide a near unrivaled sense of collective joy. The group aspect is far from the only part...

RRR A Four Hour Bollywood Dream

    Image Source    If I were to ask you what Bollywood is, how would you define it? It's not a genre, though there are some common themes in these films, and it is not really a film movement either. The types of movies made are simply too varied to be boiled down into one idea. It is after all a term for all the big budget movies from a country of over a billion people. There's going to be a lot of variance. But what if you took all of that variance, everything you could expect or even dream of from a Bollywood film, and put it in one? You would probably get something like RRR (2022). A four hour masterpiece that is truly something to behold.     RRR is kind of impossible to succinctly describe. It's got songs, action, a dance routine, the best bromance in cinema, kind of everything. In a weird way I like to compare RRR to Everything, Everywhere, All at Once. The two films came out in the same year and both feel like every genre being blasted into yo...